As I stated at the beginning of this section,
I don’t have a model so will have to draw myself. As the notes suggest: “All the following exercises can be completed as self-portraits if you’re
unable to find a model. You can produce
some very interesting work but it may require some ingenuity in terms of
arranging mirrors, space and your painting support and equipment”. They really weren’t joking when they said
about the ingenuity in arranging mirrors!
My first sketch pose was seated, almost
cross-legged with one leg raised.
As I drawing myself, I didn’t want every
single pose to be of me drawing/ painting, so I did the right arm from memory –
so am pleased that this hand, and the foreshortening of the arm work well. I think the overall proportions are good,
although the head is a little too small.
I didn’t find these pose too difficult to hold – I do yoga regularly so
reasonably flexible! The one area I
really struggled with was my face – for some reason I can do faces OK on their
own, bodies OK on their own, but have problems putting the two together!
My tutor on my drawing course said I should
treat the face “in the same casual way as the lines of the body” but when I try
this it just looks all wrong and very amateurish! Hence the very overworked
face here.
One of the real problems I have is that I
have very poor eyesight in my left eye (less than 50% due to a lazy eye) and,
because I am right handed, when I turn my head to draw, I really can’t see very
clearly at all. This is not a problem
when doing the body, as I can keep that still while still moving my head, but I
can’t do this for my face. I think I
will have to resort to photographing my head in the angle I want sometimes,
purely in order to be able to see it properly!!
In terms of set-up, I have a wall of
mirrored wardrobes in my spare (junk!!) room, but another problem I have is the
room is quite small, so I have to sit fairly close to the mirror. This means that I am struggling a bit judging
proportions – using the usual pencil at arm’s length doesn’t work because I am
too close. Will have to think about this
a little more.
The other problem with this room is that
there really is nothing in it, so not much in terms of background. Again, will have to think carefully about how
I can introduce backgrounds while still having access to the large mirrors.
My next
drawing was kneeling on a cushion on the floor at a slight angle leaning
towards the mirror. Again, I am happy
with the overall proportions and haven’t concentrated too much on detail. I did the hand and foot very loosely, just to
get the overall impression. The main
problem again is the face – the head shape/ size is probably more accurate than
the previous drawing but the features are wrong, it really doesn’t look like
me.
Again on the practical side, my drawing arm
could be simply drawn in by placing it at the side, so no need for any
complication here!
For my next drawing, I varied the kneeling pose
by turning and placing a mirror in front of me so I could view my back
easily.
Again, the proportions here are more or
less OK although the shoulders may be
fractionally too wide – although I am tall and have broad shoulders / slim hips
so possibly not!!
Also, no problems with the face here
because I chose not to draw it!
I did this sketch in charcoal pencil and
then used willow charcoal to enhance some of the shadow areas.
For my final prep sketch I decided to include
more of a context by introducing a chair and the backdrop of the room.
The chair I am sitting on is an old
fashioned one with a spindle back, so I draped an old sheet over it – partly so
I could practice fabrics and secondly so
that the chair back detail did not detract from the outline of the body.
I have another chair in front of me which I
am resting my foot on, and have the mirror I am looking into in front of
me. I think this is an interesting
sketch because of the way the body is bent over to draw and also the different
angles of the legs.
Obviously the view in the mirror is very
basic because I am drawing with this hand and so can’t see it, but I think it
would make an interesting painting to have the reflection of the legs and hands
in it.
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